Friday, January 12, 2007
Well-known B.C. labour lawyer Vince Ready is getting down to work trying to settle Saskatchewan's public sector strike.
Ready has a long and impressive record of solving Saskatchewan work stoppages, including previous labour disputes between the provincial government and the Saskatchewan Government and General Employees' Union (SGEU).
He's been given 10 days to try to negotiate a settlement.
However, he told CBC News in Regina Thursday that he doesn't see himself as a miracle-worker.
"This is another dispute for me, you know," Ready said. "I don't view myself as any kind of a Superman. I just try and do my job."
About 1,200 workers are on the picket line, representing departments of corrections, environment, justice and finance.
by:CBC Saskatchewan, Canada
The sixth issue of this occasional series deals with our hero's return to the low-key environs of his Smallville home, only to face a chaotic attack from a time-travelling monster and the death of his adopted father (and that shouldn't be a spoiler for anyone who's seen the book's downbeat cover). However, whereas other writers might take this as a reason to overburden the character with ill-fitting and morose scenes of brooding and despair, Grant Morrison sees it as an excuse to craft yet another effortlessly thrilling romp - albeit one with a bittersweet ending - in which three mysterious strangers arrive at the Kent farm with a secret which ties them more closely to the Man of Steel than any of the Kent family suspect.
One of the great strengths of All-Star Superman is that it doesn't try to shock readers into submission by fundamentally reinterpreting the character or introducing sledgehammer revelations in an effort to hold the interest of its audience. In an age where the death of every minor or supporting character is hyped to the point that you could almost believe its impact was capable of rending the information superhighway in twain, Morrison's book makes for a pleasantly modest and understated antidote. People have talked about the writer's approach to the title as evocative of the Silver Age of comics, but Morrison's canvas is wider than that: whilst the colourful, vibrant visuals and classic-feeling characterisation definitely suggest a certain nostalgia for the 1970s heyday of the superhero genre, the sci-fi concepts and technology mark it out as modern, whereas the speech patterns and vocabulary (and, in this issue, the look and feel of Smallville) are so old-fashioned that they feel firmly rooted in the 1950s. The result is that the book's story exists in a timeless bubble - and that's a perfect way to present the enduring icon that is Superman.
By: Dave Wallace